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Avid spent the past two years tuning the features they would be willing to make available in a free version of their NLE. With Media Composer First, you have free access to use a light version of this powerful tool.Īvid announced Media Composer First back in 2015, and it is just now seeing its release. You can find more information about this in the following article.Media Composer First is a free and “limited” version of the industry-standard NLE, but is it worth a download?Īvid has released the free version of the Hollywood film- and television-standard non-linear editor: Media Composer.
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TC User Bits and Audio Comments can currently be transmitted via the “Custom Field” labels in the preferences that read and store metadata dynamically with certain keywords. Learn more about leveraging metadata from audio clips in automatic audio sync in the article about automatic audio sync in Silverstack Lab. Sound/Audio TC and Sound/Audio TC OffsetsĪudio TC will be transmitted to the “Sound TC” column in the ALE which will result (after matching in Media Composer) in the “Sound TC” column that enables a TC to be available for sound in Media Composer.The following metadata coming from audio clips can be processed: Relevant metadata from synced audio clips can be processed by Silverstack Lab. RemovedFromPFDStart Transferring Audio Metadata Then select and unselect columns, the custom columns from the imported ALE file you will find at the end of the list.Right-click in the free space of the bin window and click on “ Choose columns…” in the context menu.If you cannot see any custom columns, perform the following steps: Some of the columns are already known by the Avid Media Composer, all unknown information will be added as custom columns.Īvid Media Composer: Extended metadata after the ALE import The information from the ALE file is attached within additional columns in the bin table as in figure 2. Navigate to the ALE file you created before and click “ Open”.Īvid Media Composer now matches master clips and metadata information from the ALE file according to their timecode and the criteria you selected during the transfer process within Silverstack.
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Open the “Options”, then click on “Options…” navigate to the Shot Log tab and select “ Merge events with known master clips”.Select those clips and choose “ Input > Import Media…” from the context menu in the bin.Select the bin in the Avid Media Composer which contains the relevant clips.They should thereon be available as master clips. After having created the ALE file go to the Avid Media Composer and import the clips if not done so far.Merging information from the ALE file with master clips Source File Name without File Extension in Tape Column.The matching can be performed according to following metadata information: The metadata is transferred to the Avid Media Composer via the ALE file and is only there matched with the clips. In the following you have to select the content of the library to be transferred (see screenshot of options below).īesides the required general information you can additionally select additional detailed information in this section.Ĥ. Thereon select the clips you want to transfer in the wizard that opens up.ģ. Select the bin which contains the relevant clips, click on the “Export” button in the toolbar of the Silverstack window and choose “ Avid Media Composer (ALE)”.Ģ. Generating an ALE file can be done via the “Export” menu in Silverstack. The information from the ALE file has to be merged with available master clips in the Avid Media Composer.ġ.Create an Avid Log Exchange (ALE) file containing the metadata of the relevant clips in Silverstack.To transfer clips and their corresponding metadata information from Silverstack to Avid Media Composer the following two steps have to be performed: